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Beyond Prima Donna: Pauline Viardot’s Collaboration on Meyerbeer’s Le Prophète, Gounod’s Sapho, and Berlioz’s Arrangement of Orphée
(2020)
Prima donnas of the nineteenth century enjoyed celebrity status and were the wealthiest women of their time. Mezzo-soprano Pauline Viardot’s (1821–1910) diva status provided her with a platform from which to share the full ...
Influence, Innovation, and Structure: Modernist Evaluative Criteria in the Reception Histories of Charles Ives and Jean Sibelius
(2016)
In 1987, Maynard Solomon published an article titled “Charles Ives: Some
Questions of Veracity,” which challenged the priority and probity of Charles Ives’s
technical innovations and ignited a scholarly firestorm. ...